Writings about cinema

2024

• Food for Profit

2023

• My 2023
• Marilyn’s avatar

2022

• My 2022
• A new filmsinwords.eu
• Forget the old dream

2021

• My 2021 in films
• He won, didn’t he?
• Let Soderbergh talk
• Punching masculinity

2020

• The vast relativity of trauma
• The experience of watching
• Fifty shades of criticism
• A machine in the ghost
• Comrades, it’s a love story
• Burn, baby, burn
• Words are never enough

2019

• An open connection
• Once Upon a Time
• The essence of kinesis
• Grounding expressionism
• Questioning the future
• What Is Democracy?
• Breaking the balance
• Reducing a book and enlarging TV
• Visualising music
• A soldier of cinema
• The Thin Apocalypse
• Retelling is not for everyone
• Arrivederci Soavi, Ciao

2018

• My 2018 in films
• The present is the past is the future
• Hu Bo and the country that sits still
• Ferrara and the Straubs
• Rollerland
• Rachel Getting Married
• Time and Hat
• Second Sight Films’ Breathless

2017

• On a personal level
• Laughable violence
• The special effects of Tsui Hark

2016

• My 2016 in films
• Usefulnessless
• Prince on film
• Film preservation and nostalgia
• Going back to Stanley Kubrick